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| My work merges digital technology with wet media in a harmony of radically opposite tool sets. I paint with natural Transparent Dies on 200 lb. cold press watercolor paper. After scanning the pigments at high resolution, (400 ppi, RGB, tiff) I apply it in any number of ways in the Main Art file.
The layered Main Art .PSD file is where all scans, photo captures, vector art, or rendered 3D imagery is collected and orchestrated. I use modo as my 3D sculpting and painting software. The advantage in a virtual sculpting studio is that it frees me from traditional gravity and weight, and it opens the dimension in the art that delights me. I also build textures in vector illustration software or capture patterns in nature with close up photography. My focus here is surfacing objects and space with anything I choose. The technology link between the outside world and the digital world is where my art pivots. Half the drive behind this exploration is finding new ways to ingrate the two worlds. The LED presentation features the art on Kodak Duratrans material, which is then fully enclosed and framed, with a 5000 Kelvin, natural light LED light source that is highly energy efficient, even, and can be user-adjusted for brightness.The presentation is breathtaking. Installation is easy and flexible. |
Contact Info
| Phillip Timper | |
| Phillip | |
| Timper | |
| Send Email | |
| 86305 | |
| AZ | |
| Prescott | |
| - | |
| USA | |
| Artist | |
| www.philliptimper.com | |
| OFFLINE |
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Total number of images: 10
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